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Production techniques

ShareThe Giver by KOshowKO is a Xmas tune like no other. A fruit of remote music collaboration, made in Ohm Studio with musicians from 4 countries on 3 continents who never had a chance to meet face-to-face in the same studio. This is a charity single with proceeds donated to the Australian Children’s Music Foundation. […]

ShareIf you’re into synths and happen to be in Melbourne, catch me speaking about ‘Digital Affordances of iOS-based Synthesisers’ at the 2nd Annual Synthposium on Monday the 14th of November. Click on the poster below for further info.

Share Remote Music Collaboration is a big topic. What’s the best platform? How do you connect with people locally and internationally in a meaningful way? To find out more, catch my talk at the Ableton User Group Melbourne on March 16. See this Facebook event for more info. I am currently adding final touches to my practice-based PhD project, which […]

Share KOshowKO – In The Night (Jam With Me) – Live

ShareThe first in the series of producer interviews is a chat with ILYA SANTANA, who was instrumental to the warm reception of P.O.S’s first single in 2011, when his remix of the track ‘It Is Like That’ was released to a great critical acclaim. So without a further ado here is a chat with Ilya Santana!  ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ […]

ShareiOS Music apps are a lot of fun. Finally there’s immediacy while working with software, something what’s much harder to find in standalone music applications. I recently played with an app called Yellofier, co-designed by Boris Blank from the iconic Swiss electronic duo Yello. And below you can find a demo track created purely with […]

ShareBy Liam Abramson As musicians, we deal with conflict every day. Whether it is negotiating over contracts, booking musicians or simply sitting in a quartet rehearsal. How one manages this conflict is key to the building of relationships and development of further work opportunities. Some people regard conflict as negative. Others regard it as simple […]

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